Browsing by Author ""Lee, Chaeeun""
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Item Open Access Seeing The Unseen(Alfred University, 2024) "Lee, Chaeeun"; "McMahon, Stephanie""I submerge myself in the metaphysical dimensions intrinsic to nature, aiming to uncover the deep connection between the tangible and intangible. My emphasis lies in a deeply introspective and physical experience, where I harmonize mind and body to capture the essence of the mysteries of existence, embracing the beauty found in spontaneity. This harmony is essential to wield the brush not just as a tool, but as an extension of my body, facilitating a direct and unimpeded flow of thought and sensation into the artwork. My artistic approach aligns closely with action painting, manifesting the unconscious through automatic lines and spontaneity. As lines act as the primary agents to manifest my intentions, each line is a unique entity, laid down in a singular moment of creation, rather than a mere repetition of marks. Through the lines, extending until the brush is devoid of pigment, I capture a philosophical reflection on the cyclical nature of beginnings and endings merging as one. This perspective shifts the focus from the finished product to the act itself, imbuing each line with its own history and story. These lines, at times, may blend into the surface, only revealing their complexity upon closer inspection, embodying the concept of hiding in plain sight. Applying diluted pigment on absorbent fabric, I create tonal variation by soaking or sweeping the medium into the surface. I exploit the luminosity and liquidity of the water medium to investigate color relationships with different levels of viscosity, directly affecting the expression of the brushstroke. In each series I choose one dominant color, I respond upon and produce soft gradations of tone and hue. This interaction highlights the 2 uniqueness of each gesture, capturing a moment of synergy between medium, movement, and artistic intent. Ultimately, I aim to highlight the interaction of gesture, light, and color, integrated with white space, creating pieces that are both strikingly kinetic yet calmly elegant. I consistently explore the possibilities of these elements, considering how they contribute to the overall narrative of the artwork and what they reveal about the interaction with the specific medium. In doing so, I invite viewers to partake in a collective experience, prompting deep reflection and capturing moments that redefine the interpretation and experience of gesture, line, and spatial forms."