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dc.contributor.advisor Gill, John
dc.contributor.advisor Green, Jason
dc.contributor.advisor Hopp, Johnathan
dc.contributor.advisor Kelleher, Matt
dc.contributor.advisor Sikora, Linda
dc.contributor.advisor Sormin, Linda Alexander, Marissa 2019-10-25T15:31:02Z 2019-10-25T15:31:02Z 2019-05
dc.description Thesis completed in partial fulfillment of the requirements for the Master of Fine Arts degree in the School of Art and Design at the New York State College of Ceramics at Alfred University, Alfred, NY. en_US
dc.description.abstract My relationship to the pot is fundamental to how I identify as an artist and how I inhabit forms. Objects begin as vessels with the potential to become abstracted representations of the human (female) figure, flowers, fruit or other elements of the natural world. As I build, the size of the object grows and becomes similar in scale to that of a torso. This similarity emphasizes the relationship between the object and the human body. If looking down from above, the mouth of the vessel is open and wide, and the interior of the volume is generous. Building vessels is an ode to my first personal encounter with ceramics, the material and to the historical traditions it carries, using the surface of pots to create pattern and narrative that visually describes my vision - vision as something of great beauty - vision as envisioning contemporary life. en_US
dc.format.extent 11 pages en_US
dc.language.iso en_US en_US
dc.relation.ispartof Scholes Library en_US
dc.rights The author has granted Alfred University a limited, non-exclusive right to make this publication available to the public. The author retains all other rights. en_US
dc.rights.uri en_US
dc.subject MFA thesis en_US
dc.subject figurative en_US
dc.subject ceramic sculpture en_US
dc.subject vessel en_US
dc.subject garden en_US
dc.subject floral en_US
dc.subject feminist en_US
dc.subject Ceramic Art en_US
dc.title looking in dimmed light en_US
dc.type Thesis en_US

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