In 1953 the term “3C” which stood for “Compulsory”, “Capacity”, and “Conflict” was given to one of the original minicomputer companies by the name of Computer Control Company, Inc. I have switched the 3 “C’s” to represent ...

My work acts like the proud quilted banners pinned to the walls of a Southern Baptist church that read "King of Kings" and "Lord of Lords." I begin by investigating the role of material and the psychological undertones ...

My work is a marathon exercise in the deconstruction and adaptation of vessel aesthetics, form, function, conventions and histories. I remain alchemically adventurous by employing a wide range of materials, processes, ...

First, I have to explain what I mean by bodies. My understanding and usage of this term spans almost all things. According to existing definitions of the word, it can refer to the physical structure of a living organism, ...

Much of my practice functions as a means to reflect selectively on my surroundings. This usually begins in the form of collecting, often in relationship to being an active practitioner of consumerism. I am undeniably ...

I construct sculptural installations that illustrate change through the idea of impermanence by combining technology, video projection, sound, performance and light with other mediums ranging from glass, wood and metal. I ...

Since the 1960s, the Internet has reached the whole world. The idea of cyberspace has evolved to became a significant term that describes people’s many different experiences of the Internet. Cyberspaces continue to incorporate ...

Who do we feel we are supposed to be? How do we see ourselves as we relate to the world? How do we find a reprieve from our daily anxieties? I explore these questions in my work using text and poetry situated amidst sculpture ...

My work and research are focused on iconography, culture contract and conflicts, system and logic, the concept of space. The pot as an icon is a starting point, this concept is further expanding to other subjects. My ...

Our ability to provoke change is perhaps best illustrated by our eagerness to alter material states. Within my work, I synthesize and translate deep time into a more relatable, present frame of reference. I subvert common ...