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dc.contributor.advisor Powers, Angus
dc.contributor.author Hershman, Joshua A.
dc.date.accessioned 2016-08-19T13:51:40Z
dc.date.available 2016-08-19T13:51:40Z
dc.date.issued 2016
dc.identifier.uri http://hdl.handle.net/10829/7278
dc.description Thesis completed in partial fulfillment of the requirements for the Master of Fine Arts degree in the School of Art and Design at the New York State College of Ceramics at Alfred University, Alfred, NY. en_US
dc.description.abstract The original meaning of penumbra is a space of partial illumination between full shadow and full light. Astronomer Johannes Kepler introduced the term in 1604 to describe the shadows that occur during eclipses. The contrasting and opposite nature of light and dark are combined during this phase, creating a gray area that exists on the fringes between two opposite forces as they combine. My work also seems to exist in a penumbra - a sort of in-between space - which blurs the lines between concepts such as big and small, near and far, push and pull, or light and dark. en_US
dc.format.extent 15 pages en_US
dc.language.iso en_US en_US
dc.relation.ispartof Scholes Library en_US
dc.rights The author has granted Alfred University a limited, non-exclusive right to make this publication available to the public. The author retains all other rights. en_US
dc.rights.uri https://libraries.alfred.edu/AURA/termsofuse en_US
dc.subject MFA thesis en_US
dc.subject Installations (art) en_US
dc.subject Sculpture en_US
dc.subject Light art en_US
dc.subject Kintsugi en_US
dc.subject Buddhism en_US
dc.subject Sculpture-Dimensional Studies en_US
dc.title Penumbra en_US
dc.type Thesis en_US


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