Nature to the Dogs

dc.contributor.advisorHopp, Johnathan
dc.contributor.advisorMcConnell, Walter
dc.contributor.advisorSikora, Linda
dc.contributor.authorSchreiber, Rose
dc.date.accessioned2023-05-17T18:46:18Z
dc.date.available2023-05-17T18:46:18Z
dc.date.issued2023-05
dc.descriptionThesis completed in partial fulfillment of the requirements for the Master of Fine Arts degree in the School of Art and Design at the New York State College of Ceramics at Alfred University, Alfred, NY.en_US
dc.description.abstractAnd I suppose you want me to start from the beginning. Although what a beginning is I have no idea. Nebulous concept since we are, and by necessity it seems, located somewhere always in an expanding middle. As well, choosing between one hundred, or a thousand—or perhaps only ten—concrete places to start is more difficult than choosing between some infinity of abstract ones, so I’ve heard at least, so they’ve been telling me. The real being so much more difficult to wrap one’s head around, so-to-speak. And this epistemic conundrum lying, some might say, at the crux of human nature—not that such an asininity exists anyway, I believe on faith. But in any case, I will tell you.en_US
dc.format.extent76 Pagesen_US
dc.identifier.urihttp://hdl.handle.net/10829/30748
dc.language.isoen_USen_US
dc.publisherAlfred Universityen_US
dc.relation.ispartofScholes Libraryen_US
dc.rightsThe author has granted Alfred University a limited, non-exclusive right to make this publication available to the public. The author retains all other rights.en_US
dc.rights.urihttps://libraries.alfred.edu/AURA/termsofuseen_US
dc.subjectMFA thesisen_US
dc.subjectCeramic sculptureen_US
dc.subjectInstallations (Art)en_US
dc.subjectHandbuildingen_US
dc.titleNature to the Dogsen_US
dc.typeThesisen_US
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