Abstract:
Ceramic objects from around the globe develop distinctive patterns and
characteristics that are born out of specific sets of cultural values, and serve
countless functions ranging from the decorative to the utilitarian, and the
ceremonial to the political. The materials and techniques involved in making
these objects are as diverse as the regions they originate from, and determine
the aesthetic value, style, and desirability of each piece. I have selected and
studied ten ceramic objects from the much more extensive collection of artists
John and Andrea Gill, American ceramicists and professors at the New York
State College of Ceramics at Alfred University. The Gill collection includes
ceramic works from fellow artists, historical pieces from numerous cultures,
student works, and ceramic works by both John and his wife Andrea. The Gills
have acquired the objects in their collection throughout their travels and
interactions with others working in the field, and the collection harbors influences
and inspiration to John's work as an artist, as well as his appreciation for and
celebration of the ceramic medium.
This research aims to analyze a sliver of the history of global ceramics. I
will first reflect on the theoretical aspects of collections and collecting, and then
examine a small selection of pre-modern, modern, and contemporary ceramic
objects. Finally, I will argue that the roots of the Gill collection include an
intangible accumulation of historical references and cultural influences that fuse
3 together to become the backbone of the postmodern aesthetic—a collection in
and of itself—that defines John Gill's personal style as an artist.
