Claude Lorrain's Great Escape: An Exploration into the Human Connection with Landscape Painting

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dc.contributor.advisorLyons, Jennifer
dc.contributor.authorAnderson, Hannah R.
dc.date.accessioned2020-12-04T16:34:37Z
dc.date.available2020-12-04T16:34:37Z
dc.date.issued2020-12
dc.descriptionThesis completed in partial fulfillment of the requirements for the Bachelor of Science in Art History and Theory degree in the School of Art and Design at the New York State College of Ceramics at Alfred University, Alfred, NY.en_US
dc.description.abstractMy thesis centers on the idea of the human connection towards landscape paintings by analyzing the seaport and coastal scenes by Baroque landscape painter, Claude Lorrain. Within these bodies of work I focus on ideas of escapism, visual pilgrimage, and virtual reality. My work will explore the questions of what escapism or a visual pilgrimage is, how a person can be drawn into a landscape painting, and whether or not the placement or orientation can impact how we interpret and feel about a work. I draw upon a wide variety of methodologies such as semiotics and psychoanalysis to frame my argument.en_US
dc.format.extent31 pagesen_US
dc.identifier.urihttp://hdl.handle.net/10829/24236
dc.language.isoen_USen_US
dc.relation.ispartofScholes Libraryen_US
dc.rights.urihttps://libraries.alfred.edu/AURA/termsofuseen_US
dc.subjectArt History and Theory thesisen_US
dc.subjectClaude Lorrainen_US
dc.subjectLandscape Paintingen_US
dc.titleClaude Lorrain's Great Escape: An Exploration into the Human Connection with Landscape Paintingen_US
dc.typeThesisen_US

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Art History and Theory Bachelor of Science Thesis