Ken Price & The Egg Series Phenomenal Transgressions in Post-war Ceramics

dc.contributor.advisorMcInnes, Mary Drach
dc.contributor.authorMustardo, Maxwell Amadeo Kennedy
dc.date.accessioned2019-11-07T19:56:39Z
dc.date.available2019-11-07T19:56:39Z
dc.date.issued2017-05
dc.descriptionThesis completed in partial fulfillment of the requirements for the Bachelor of Science in Art History and Theory degree in the School of Art and Design at the New York State College of Ceramics at Alfred University, Alfred, NY.en_US
dc.description.abstractKenneth Martin Price (1935-2012) was a key protagonist in moving ceramics into the avant-garde realm during the 1960s. At this time, Price made his first major contribution to the expanding field of ceramic sculpture with his Egg series. This series represents a significant breakthrough in ceramic sculpture by transgressing the traditions and processes of mid-century ceramics. Post-war ceramic conventions were generally dominated by the craft theories of the folk pottery movement. During the 1950s, Peter Voulkos and others had begun making interventions aimed at broadening ceramic practices, but relied upon the techniques and processes of the very practices they were challenging. Price’s Egg series, which he made while in league with Los Angeles’ revolutionary Ferus Gallery, pushed Voulkos’ explorations of clay beyond the limitations of ceramic traditions and processes. My thesis offers critical and contextual analyses of the Egg series by interrogating its significance to broader trends in American post-war ceramics.en_US
dc.format.extent21 pagesen_US
dc.identifier.urihttp://hdl.handle.net/10829/23510
dc.language.isoen_USen_US
dc.relation.ispartofScholes Libraryen_US
dc.rights.urihttps://libraries.alfred.edu/AURA/termsofuseen_US
dc.subjectArt History and Theory thesisen_US
dc.subjectKen Priceen_US
dc.subjectThe Egg Seriesen_US
dc.subjectPost-war Ceramicsen_US
dc.titleKen Price & The Egg Series Phenomenal Transgressions in Post-war Ceramicsen_US
dc.typeThesisen_US

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